Vivid blue eyes meet the viewer in “Milano” by Mia Färm. The face fills almost the entire canvas, emerging through fields of white, grey, beige and near-black. Dark shadows frame the eyes and the left side of the face, while lighter strokes highlight the bridge of the nose, cheeks and chin.
Gold leaf brings warmth and lustre to selected passages, particularly along the cheek on the right. Small turquoise, violet and pink accents interrupt the restrained palette, and a vivid pink paint drip traces a vertical line beneath the eye on the right. Long black and white marks cross the portrait in loops and diagonals, providing a counterpoint to the broad, textured brushstrokes.
The direct gaze offers a steady focal point among the many layers of colour and marks. The portrait balances recognisable features with a free, abstract treatment of the surface, where light and dark fields both shape and dissolve the face. The square 100 × 100 cm format and close cropping reinforce the figure’s striking presence.
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Milano (100x100cm)
Regular price 9.800 kr.
Unique piece
Original painting
Free delivery
Fast to your door
14-day return policy
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- Original acrylic painting with gold leaf on canvas by Mia Färm.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Vivid blue eyes meet the viewer in “Milano” by Mia Färm. The face fills almost the entire canvas, emerging through fields of white, grey, beige and near-black. Dark shadows frame the eyes and the left side of the face, while lighter strokes highlight the bridge of the nose, cheeks and chin.
Gold leaf brings warmth and lustre to selected passages, particularly along the cheek on the right. Small turquoise, violet and pink accents interrupt the restrained palette, and a vivid pink paint drip traces a vertical line beneath the eye on the right. Long black and white marks cross the portrait in loops and diagonals, providing a counterpoint to the broad, textured brushstrokes.
The direct gaze offers a steady focal point among the many layers of colour and marks. The portrait balances recognisable features with a free, abstract treatment of the surface, where light and dark fields both shape and dissolve the face. The square 100 × 100 cm format and close cropping reinforce the figure’s striking presence.
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