Large turquoise-blue eyes and full pink-red lips meet the viewer in “Josefine” by Mia Färm. The face fills almost the entire square canvas, built from vivid fields of pink, coral, orange and yellow. Pale mint-green and creamy passages offer pauses between the intense colours, while dark blue and violet define the eyes, nose and jaw.
Broad, visible brushstrokes shape the face without concealing the texture of the paint. Thin white, black and orange lines cross the composition in long, freely applied movements, accompanied by small splashes and dots. Grey areas along the outer edges provide a counterpoint to the richly coloured cheeks and the dark blue contour around the chin.
The direct gaze provides a quiet focal point within an energetic composition. The portrait shifts between clearly rendered features and abstract encounters of colour, bringing both the figure and the painted surface into focus. The 100 × 100 cm format and close cropping reinforce the face’s striking presence.
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- Original acrylic painting on canvas by Mia Färm.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Large turquoise-blue eyes and full pink-red lips meet the viewer in “Josefine” by Mia Färm. The face fills almost the entire square canvas, built from vivid fields of pink, coral, orange and yellow. Pale mint-green and creamy passages offer pauses between the intense colours, while dark blue and violet define the eyes, nose and jaw.
Broad, visible brushstrokes shape the face without concealing the texture of the paint. Thin white, black and orange lines cross the composition in long, freely applied movements, accompanied by small splashes and dots. Grey areas along the outer edges provide a counterpoint to the richly coloured cheeks and the dark blue contour around the chin.
The direct gaze provides a quiet focal point within an energetic composition. The portrait shifts between clearly rendered features and abstract encounters of colour, bringing both the figure and the painted surface into focus. The 100 × 100 cm format and close cropping reinforce the face’s striking presence.
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