Vivid turquoise-blue eyes meet the viewer in “Michaela” by Mia Färm. The face fills almost the entire canvas, built from fields of pink, turquoise, ochre yellow and creamy white. Deep blue and burgundy passages frame the eyes and sides of the face, while warm sandy tones run through the forehead, bridge of the nose and chin area.
Broad, textured brushstrokes give the cheeks an uneven, lively surface. The full lips shift between dark burgundy and intense pink, with pale reflections on the lower lip. Thin white, blue and dark pink lines cross the portrait in curves and diagonals, while occasional paint drips continue through the larger fields of colour.
The direct gaze provides a steady focal point within the colourful composition. Clearly shaped eyes meet a freer treatment of the rest of the face, where colours both describe the figure and remain independent marks. The square 100 × 100 cm format and close cropping give the portrait a striking presence.
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- Original acrylic painting on canvas by Mia Färm.
- Painted on the 30mm deep edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Vivid turquoise-blue eyes meet the viewer in “Michaela” by Mia Färm. The face fills almost the entire canvas, built from fields of pink, turquoise, ochre yellow and creamy white. Deep blue and burgundy passages frame the eyes and sides of the face, while warm sandy tones run through the forehead, bridge of the nose and chin area.
Broad, textured brushstrokes give the cheeks an uneven, lively surface. The full lips shift between dark burgundy and intense pink, with pale reflections on the lower lip. Thin white, blue and dark pink lines cross the portrait in curves and diagonals, while occasional paint drips continue through the larger fields of colour.
The direct gaze provides a steady focal point within the colourful composition. Clearly shaped eyes meet a freer treatment of the rest of the face, where colours both describe the figure and remain independent marks. The square 100 × 100 cm format and close cropping give the portrait a striking presence.
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