Large turquoise-blue eyes meet the viewer in “Jessica” by Mia Färm. The face fills almost the entire canvas, defined by a striking contrast between dark blue-violet fields on the left and lighter turquoise and yellow-green areas on the right. Vivid red, orange and pink strokes run through both sides, connecting the composition.
Broad brushstrokes shape the cheeks, nose and chin with distinct edges and visible texture. Full lips are painted in red and pink, with dark contours and small pale reflections. Pale blue and turquoise fields along the outer edges of the face provide breathing space around the intense colours, while dark brows and eye shadows emphasise the gaze.
The portrait’s energy lies particularly in the encounters between colours and the strong shifts of light and dark. The eyes provide a quiet focal point, while the rest of the face alternates between recognisable shapes and freely painted fields. The square 100 × 100 cm format and close cropping create direct contact between the figure and the viewer.
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- Original acrylic painting on canvas by Mia Färm.
- Painted on the 30mm deep edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Large turquoise-blue eyes meet the viewer in “Jessica” by Mia Färm. The face fills almost the entire canvas, defined by a striking contrast between dark blue-violet fields on the left and lighter turquoise and yellow-green areas on the right. Vivid red, orange and pink strokes run through both sides, connecting the composition.
Broad brushstrokes shape the cheeks, nose and chin with distinct edges and visible texture. Full lips are painted in red and pink, with dark contours and small pale reflections. Pale blue and turquoise fields along the outer edges of the face provide breathing space around the intense colours, while dark brows and eye shadows emphasise the gaze.
The portrait’s energy lies particularly in the encounters between colours and the strong shifts of light and dark. The eyes provide a quiet focal point, while the rest of the face alternates between recognisable shapes and freely painted fields. The square 100 × 100 cm format and close cropping create direct contact between the figure and the viewer.
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