Blue-violet eyes and full red lips take centre stage in “Ginger” by Mia Färm. The face fills almost the entire canvas, assembled from intense fields of pink, orange and yellow. Pale pink, peach and grey-white areas create contrasts on the cheeks, while deep violet and burgundy strokes shape the shadows around the eyes, nose and mouth.
A dark green background frames the face, making the warm colours stand out. Broad brushstrokes and distinct colour edges give the portrait a mosaic-like construction. Long, thin pink and white lines travel across the surface in curves and diagonals, accompanied by occasional small splashes and yellow-green trails.
The direct gaze provides a steady focal point among the bold shifts of colour. Recognisable features meet a free, abstract treatment of paint, with even the lightest and darkest passages remaining distinctly colourful. The square 80 × 80 cm format and close cropping concentrate the expression and give the portrait a striking presence.
We'll photoshop the painting onto your wall and send you a picture the same day — free and with no obligation.
Ginger (80x80cm)
Regular price 6.200 kr.
Unique piece
Original painting
Free delivery
Fast to your door
14-day return policy
Full satisfaction
- Original acrylic painting on canvas by Mia Färm.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Blue-violet eyes and full red lips take centre stage in “Ginger” by Mia Färm. The face fills almost the entire canvas, assembled from intense fields of pink, orange and yellow. Pale pink, peach and grey-white areas create contrasts on the cheeks, while deep violet and burgundy strokes shape the shadows around the eyes, nose and mouth.
A dark green background frames the face, making the warm colours stand out. Broad brushstrokes and distinct colour edges give the portrait a mosaic-like construction. Long, thin pink and white lines travel across the surface in curves and diagonals, accompanied by occasional small splashes and yellow-green trails.
The direct gaze provides a steady focal point among the bold shifts of colour. Recognisable features meet a free, abstract treatment of paint, with even the lightest and darkest passages remaining distinctly colourful. The square 80 × 80 cm format and close cropping concentrate the expression and give the portrait a striking presence.
Also appears in
