Vivid pink lips provide a striking focal point in “Emilia” by Mia Färm. Seen frontally, the face fills almost the entire canvas, shaped through fields of grey, white, beige and near-black. Pale grey-green eyes meet the viewer, while deep turquoise and petrol blue along the left side offer a cool counterpoint to the warmer facial tones.
Broad strokes and broken areas of colour form the cheeks, nose and chin. Small coral-red, yellow and copper-coloured accents interrupt the restrained palette. Thin black, white and golden lines cross the portrait in long, freely applied movements, while vertical trails of paint run through several light and dark passages.
The direct gaze brings calm among the many marks and shifts of colour. Clearly shaped eyes and lips meet a freer treatment of the remaining facial areas, where the paint’s texture stays visible. The square 100 × 100 cm format and close cropping create an intimate connection between the figure and the viewer.
We'll photoshop the painting onto your wall and send you a picture the same day — free and with no obligation.
Emilia (100x100cm)
Regular price 13.600 kr.
Unique piece
Original painting
Free delivery
Fast to your door
14-day return policy
Full satisfaction
- Original acrylic painting on canvas by Mia Färm.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Vivid pink lips provide a striking focal point in “Emilia” by Mia Färm. Seen frontally, the face fills almost the entire canvas, shaped through fields of grey, white, beige and near-black. Pale grey-green eyes meet the viewer, while deep turquoise and petrol blue along the left side offer a cool counterpoint to the warmer facial tones.
Broad strokes and broken areas of colour form the cheeks, nose and chin. Small coral-red, yellow and copper-coloured accents interrupt the restrained palette. Thin black, white and golden lines cross the portrait in long, freely applied movements, while vertical trails of paint run through several light and dark passages.
The direct gaze brings calm among the many marks and shifts of colour. Clearly shaped eyes and lips meet a freer treatment of the remaining facial areas, where the paint’s texture stays visible. The square 100 × 100 cm format and close cropping create an intimate connection between the figure and the viewer.
Also appears in
