Large blue-green eyes and full red lips stand out in “Bianca” by Mia Färm. The face fills almost the entire canvas, assembled from mint-green, turquoise, pale blue and lavender fields. Vivid pink and coral strokes introduce warmth, while occasional yellow-green accents brighten the areas around the eyes and along the cheeks.
Dark contours around the brows, eyes and jaw bring the many colours together into a recognisable face. Deep teal and burgundy passages along the sides contrast with the pale cheeks and bridge of the nose. Thin pink, white and dark lines travel across the portrait, accompanied by small splashes and long trails of paint.
The direct gaze provides a steady focal point within the colourful composition. Clearly emphasised eyes and lips meet a freer treatment of the rest of the face, where broad brushstrokes and irregular fields remain visible. The square 100 × 100 cm format and close cropping reinforce the portrait’s immediate presence.
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- Original acrylic painting on canvas by Mia Färm.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Large blue-green eyes and full red lips stand out in “Bianca” by Mia Färm. The face fills almost the entire canvas, assembled from mint-green, turquoise, pale blue and lavender fields. Vivid pink and coral strokes introduce warmth, while occasional yellow-green accents brighten the areas around the eyes and along the cheeks.
Dark contours around the brows, eyes and jaw bring the many colours together into a recognisable face. Deep teal and burgundy passages along the sides contrast with the pale cheeks and bridge of the nose. Thin pink, white and dark lines travel across the portrait, accompanied by small splashes and long trails of paint.
The direct gaze provides a steady focal point within the colourful composition. Clearly emphasised eyes and lips meet a freer treatment of the rest of the face, where broad brushstrokes and irregular fields remain visible. The square 100 × 100 cm format and close cropping reinforce the portrait’s immediate presence.
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