Turquoise-blue eyes emerge between dark contours and vivid fields of colour in “Antonia” by Mia Färm. The face fills almost the entire canvas, with coral red, pink and orange dominating the cheeks. Small areas of yellow, green and creamy white brighten the forehead, cheekbones and chin.
Deep blue, violet and near-black tones shape the nose and frame the eyes. Along the left side, broad, flowing blue strokes move through a dark area, while a pale field opens at the right edge. Full lips are painted in burgundy and intense pink, with distinct bright reflections. Broad brushstrokes and irregular colour edges keep the painting’s construction visible.
The direct gaze gives the portrait a steady centre, while warm and cool colours create movement around the features. Clearly shaped eyes and lips meet a freer treatment of the cheeks and forehead, where colours remain distinct fields in their own right. The square 100 × 100 cm format and close cropping reinforce the figure’s striking presence.
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- Original acrylic painting on canvas by Mia Färm.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
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Turquoise-blue eyes emerge between dark contours and vivid fields of colour in “Antonia” by Mia Färm. The face fills almost the entire canvas, with coral red, pink and orange dominating the cheeks. Small areas of yellow, green and creamy white brighten the forehead, cheekbones and chin.
Deep blue, violet and near-black tones shape the nose and frame the eyes. Along the left side, broad, flowing blue strokes move through a dark area, while a pale field opens at the right edge. Full lips are painted in burgundy and intense pink, with distinct bright reflections. Broad brushstrokes and irregular colour edges keep the painting’s construction visible.
The direct gaze gives the portrait a steady centre, while warm and cool colours create movement around the features. Clearly shaped eyes and lips meet a freer treatment of the cheeks and forehead, where colours remain distinct fields in their own right. The square 100 × 100 cm format and close cropping reinforce the figure’s striking presence.
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