Pink, lavender and creamy white strokes unfold over dark burgundy and near-black passages in “Glints of Happiness” by Sergei Inkatov. Vivid yellow fields illuminate the left side, while turquoise and deep blue emerge around the centre and below. Light and dark colours meet in a dense, dynamic composition.
Broad, curved brushstrokes leave distinct grooves in the paint, giving the surface a pronounced relief. Fine, intersecting marks cut through the larger movements of colour, particularly near the centre. On the right, the composition opens into paler pink and blue-green areas, counterbalancing the darker, more concentrated passages on the left.
The title may invite the viewer to experience the yellow, white and turquoise accents as small glints of joy among the deeper colours. The subject remains abstract, with movement arising through the direction, rhythm and changing density of the strokes. The square 50 × 50 cm format brings the contrasts together and invites a close look at the painting’s many surface details.
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- Original oil painting on canvas by Sergei Inkatov.
- Painted on the edges, and looks perfect without frame.
- Signed by the artist.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Pink, lavender and creamy white strokes unfold over dark burgundy and near-black passages in “Glints of Happiness” by Sergei Inkatov. Vivid yellow fields illuminate the left side, while turquoise and deep blue emerge around the centre and below. Light and dark colours meet in a dense, dynamic composition.
Broad, curved brushstrokes leave distinct grooves in the paint, giving the surface a pronounced relief. Fine, intersecting marks cut through the larger movements of colour, particularly near the centre. On the right, the composition opens into paler pink and blue-green areas, counterbalancing the darker, more concentrated passages on the left.
The title may invite the viewer to experience the yellow, white and turquoise accents as small glints of joy among the deeper colours. The subject remains abstract, with movement arising through the direction, rhythm and changing density of the strokes. The square 50 × 50 cm format brings the contrasts together and invites a close look at the painting’s many surface details.
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