A bold yellow passage rises through the right half of “Absolute Presence” by Sergei Inkatov. Surrounded by near-black, grey and burgundy strokes, it becomes a strong focal point within the composition. Turquoise and blue accents emerge between the darker forms, while pink, lavender and grey-green shades create lighter areas around the edges.
Broad, curved brushstrokes leave distinct grooves and give the paint a raised, textured surface. Flowing curves meet narrow, angular fields of colour and fine, intersecting marks. In the lower left, white and pale mint strokes gather in a more open passage, contrasting with the dense yellow and dark movement on the right.
The title may draw attention to the immediate encounter with colour, texture and movement. The subject remains abstract, but the ascending yellow passage gives the painting a clear direction that the surrounding curves both follow and interrupt. The square 50 × 50 cm format brings together the tension between these different movements.
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- Original oil painting on canvas by Sergei Inkatov.
- Painted on the edges, and looks perfect without frame.
- Signed by the artist.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
A bold yellow passage rises through the right half of “Absolute Presence” by Sergei Inkatov. Surrounded by near-black, grey and burgundy strokes, it becomes a strong focal point within the composition. Turquoise and blue accents emerge between the darker forms, while pink, lavender and grey-green shades create lighter areas around the edges.
Broad, curved brushstrokes leave distinct grooves and give the paint a raised, textured surface. Flowing curves meet narrow, angular fields of colour and fine, intersecting marks. In the lower left, white and pale mint strokes gather in a more open passage, contrasting with the dense yellow and dark movement on the right.
The title may draw attention to the immediate encounter with colour, texture and movement. The subject remains abstract, but the ascending yellow passage gives the painting a clear direction that the surrounding curves both follow and interrupt. The square 50 × 50 cm format brings together the tension between these different movements.
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