A strong column of magenta and burgundy draws down the left side of "Patriarchy leaving" by Louise Hjorth Jespersen. Facing it stands a light field of white, cream and pale yellow, where broad open strokes bring air into the work. To the right, the painting brightens into a clear pale blue passage, crossed by fine black marks.
In the middle and lower sections, dark textured layers gather, while thin drips and long vertical traces run down through the translucent layers of colour. Golden accents along the bottom edge add warmth to the otherwise cool palette. The movement in the painting leads from the dense and dark towards the light and open.
The title puts words to a mood of departure and change, giving the painting's movement a direction without fixing a single story. What is left behind, and what waits in the light, remains open. The vertical 80 × 100 cm format heightens the contrast between the heavy and the light passages.
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- Original acrylic painting on canvas by Louise Hjorth Jespersen.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
A strong column of magenta and burgundy draws down the left side of "Patriarchy leaving" by Louise Hjorth Jespersen. Facing it stands a light field of white, cream and pale yellow, where broad open strokes bring air into the work. To the right, the painting brightens into a clear pale blue passage, crossed by fine black marks.
In the middle and lower sections, dark textured layers gather, while thin drips and long vertical traces run down through the translucent layers of colour. Golden accents along the bottom edge add warmth to the otherwise cool palette. The movement in the painting leads from the dense and dark towards the light and open.
The title puts words to a mood of departure and change, giving the painting's movement a direction without fixing a single story. What is left behind, and what waits in the light, remains open. The vertical 80 × 100 cm format heightens the contrast between the heavy and the light passages.
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