A large pink area draws the eye in “In the middle” by Ruth Christiansen. Around it, turquoise, blue, green and warm ochre meet white passages and deep, almost black areas. Broad, pale curves at the top and winding dark lines throughout the painting create movement between the irregular shapes.
Small black squares, orange marks and vertical drips contrast with the larger fields of colour. Ridges and uneven textures are a visible part of the painting’s expression, giving the vivid colours a rustic character. The composition alternates between dense, dark passages and lighter openings that allow the eye to wander.
Ruth Christiansen explains that the canvas was prepared with texture paste and that the subject emerged during the process as she gradually worked her way into the painting. The square 100 × 100 cm format offers room for both the striking colour contrasts and the small traces of this process. An abstract work that invites discoveries among colours, lines and texture.
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- Original acrylic painting on canvas by Ruth Christiansen.
- Painted on the edges and looks perfect without frame.
- "Dette værk er lidt specielt, da lærredet er grundet med strukturpasta, så det har en rustik overflade. Selve motivet er opstået under processen, hvor jeg arbejder mig langsomt ind i billedet." Ruth
- Signed by the artist.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
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A large pink area draws the eye in “In the middle” by Ruth Christiansen. Around it, turquoise, blue, green and warm ochre meet white passages and deep, almost black areas. Broad, pale curves at the top and winding dark lines throughout the painting create movement between the irregular shapes.
Small black squares, orange marks and vertical drips contrast with the larger fields of colour. Ridges and uneven textures are a visible part of the painting’s expression, giving the vivid colours a rustic character. The composition alternates between dense, dark passages and lighter openings that allow the eye to wander.
Ruth Christiansen explains that the canvas was prepared with texture paste and that the subject emerged during the process as she gradually worked her way into the painting. The square 100 × 100 cm format offers room for both the striking colour contrasts and the small traces of this process. An abstract work that invites discoveries among colours, lines and texture.
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