Dark, feather-like forms extend from both sides of a pale opening in “On the hunt” by Ruth Christiansen. Deep purple, brown and almost black tones meet a background of muted green, pale grey and creamy yellow. Warm rusty areas in the upper right and lower left contrast with the cooler underlying palette.
Fine, winding lines run through the centre and continue in long trails over the pale layers of colour. Broken, directional strokes build the darker passages, while small pink accents and prominent golden details brighten the sides. The surface alternates between dense textures and more open, misty fields.
The title may lend the dark forms a sense of movement and alertness. They might suggest wings or silhouettes within dense vegetation, while the subject remains open between natural associations and abstraction. The vertical 50 × 60 cm format emphasises the pale passage between the forms and the descending movement of the delicate lines.
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On the hunt (50x60cm)
Normalpris 4.200 kr.
Unique piece
Original painting
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- Original acrylic painting on canvas by Ruth Christiansen.
- Painted on the edges, and looks perfect without frame.
- Signed by the artist.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Dark, feather-like forms extend from both sides of a pale opening in “On the hunt” by Ruth Christiansen. Deep purple, brown and almost black tones meet a background of muted green, pale grey and creamy yellow. Warm rusty areas in the upper right and lower left contrast with the cooler underlying palette.
Fine, winding lines run through the centre and continue in long trails over the pale layers of colour. Broken, directional strokes build the darker passages, while small pink accents and prominent golden details brighten the sides. The surface alternates between dense textures and more open, misty fields.
The title may lend the dark forms a sense of movement and alertness. They might suggest wings or silhouettes within dense vegetation, while the subject remains open between natural associations and abstraction. The vertical 50 × 60 cm format emphasises the pale passage between the forms and the descending movement of the delicate lines.
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