Two figures wearing hats turn towards one another in “Let's meet tomorrow” by Isabel Savannah. The figure on the left wears a long, dark burgundy garment and an ochre-yellow hat, while the figure on the right wears gold with a dark hat. Each holds a small black bag, and their simple profiles establish a quiet encounter across the centre of the painting.
Broad vertical stripes of terracotta and pale mint form the background, echoing the figures’ upright silhouettes. Fine lines follow the long folds of their clothing and the shapes of their sleeves, dark against the burgundy garment and pale against the golden one. The faces are minimally described, leaving posture, colour and small details to carry the story.
The title may suggest an arrangement or a farewell with the promise of meeting again. Isabel Savannah identifies “Perfect Imperfections” as central to her artistic practice, describing her attraction to irregularities, emotional traces and unpolished details. Within the square 40 × 40 cm format, the figures stand close to the viewer, while the pale space between them leaves room for their wordless exchange.
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Let's meet tomorrow (40x40cm)
Normalpris 2.900 kr.
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- Original acrylic painting on canvas by Isabel Savannah.
- Painted on the edges and looks perfect without frame.
- "Temaet Perfect Imperfections er centralt i mit kunstneriske univers. Jeg drages af de små ujævnheder, følelsesmæssige spor og upolerede detaljer, som får livet og mennesker til at føles levende og autentiske." Isabel Savannah
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Two figures wearing hats turn towards one another in “Let's meet tomorrow” by Isabel Savannah. The figure on the left wears a long, dark burgundy garment and an ochre-yellow hat, while the figure on the right wears gold with a dark hat. Each holds a small black bag, and their simple profiles establish a quiet encounter across the centre of the painting.
Broad vertical stripes of terracotta and pale mint form the background, echoing the figures’ upright silhouettes. Fine lines follow the long folds of their clothing and the shapes of their sleeves, dark against the burgundy garment and pale against the golden one. The faces are minimally described, leaving posture, colour and small details to carry the story.
The title may suggest an arrangement or a farewell with the promise of meeting again. Isabel Savannah identifies “Perfect Imperfections” as central to her artistic practice, describing her attraction to irregularities, emotional traces and unpolished details. Within the square 40 × 40 cm format, the figures stand close to the viewer, while the pale space between them leaves room for their wordless exchange.
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