Large, rounded forms in pale turquoise, mint and olive green spread across a grey-white ground in “Untitled” by Rie Brødsgaard. Fine rust, ochre and blue contours trace parts of their edges, while dark blue and deep green fields gather below. Small pink and coral accents bring warmth to the cool composition.
Several pale shapes appear as open silhouettes, connected by curved lines and offset fields of colour. Fine black branching patterns emerge in places, providing a counterpoint to the broad, soft strokes. White marks and broken transitions allow some forms to stand out distinctly while others almost merge with the background.
The composition may suggest a gathering of figures or organic shapes, yet the subject remains abstract and open. Repeated rounded contours establish a rhythm across the painting, while darker fields lend weight beneath the pale areas. The large, horizontal 150 × 120 cm format gives space to both the individual forms and the connections between them.
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Uden titel (150x120cm)
Udsalgspris
11.000 kr.
Normalpris
16.000 kr.
Unique piece
Original painting
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- Originalt akrylmaleri på lærred af Rie Brødsgaard .
- Hvidmalet i kanterne og ser perfekt ud uden ramme.
- Signeret af kunstneren.
- Med beslag på bagsiden, klar til at blive hængt op på din væg.
- Har du spørgsmål vedrørende dette kunstværk, bedes du kontakte os.
Large, rounded forms in pale turquoise, mint and olive green spread across a grey-white ground in “Untitled” by Rie Brødsgaard. Fine rust, ochre and blue contours trace parts of their edges, while dark blue and deep green fields gather below. Small pink and coral accents bring warmth to the cool composition.
Several pale shapes appear as open silhouettes, connected by curved lines and offset fields of colour. Fine black branching patterns emerge in places, providing a counterpoint to the broad, soft strokes. White marks and broken transitions allow some forms to stand out distinctly while others almost merge with the background.
The composition may suggest a gathering of figures or organic shapes, yet the subject remains abstract and open. Repeated rounded contours establish a rhythm across the painting, while darker fields lend weight beneath the pale areas. The large, horizontal 150 × 120 cm format gives space to both the individual forms and the connections between them.
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