Large turquoise-blue eyes meet the viewer in “Jessica” by Mia Färm. The face fills almost the entire canvas, defined by a striking contrast between dark blue-violet fields on the left and lighter turquoise and yellow-green areas on the right. Vivid red, orange and pink strokes run through both sides, connecting the composition.
Broad brushstrokes shape the cheeks, nose and chin with distinct edges and visible texture. Full lips are painted in red and pink, with dark contours and small pale reflections. Pale blue and turquoise fields along the outer edges of the face provide breathing space around the intense colours, while dark brows and eye shadows emphasise the gaze.
The portrait’s energy lies particularly in the encounters between colours and the strong shifts of light and dark. The eyes provide a quiet focal point, while the rest of the face alternates between recognisable shapes and freely painted fields. The square 100 × 100 cm format and close cropping create direct contact between the figure and the viewer.
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Jessica (100x100cm)
Normalpris 9.200 kr.
Unique piece
Original painting
Free delivery
Fast to your door
14-day return policy
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- Originalt akrylmaleri på lærred af Mia Färm .
- Malet på de 30 mm dybe kanter og ser perfekt ud uden ramme.
- Signeret af kunstneren.
- Lakeret.
- Med beslag på bagsiden, klar til at blive hængt op på din væg.
- Har du spørgsmål vedrørende dette kunstværk, bedes du kontakte os.
Large turquoise-blue eyes meet the viewer in “Jessica” by Mia Färm. The face fills almost the entire canvas, defined by a striking contrast between dark blue-violet fields on the left and lighter turquoise and yellow-green areas on the right. Vivid red, orange and pink strokes run through both sides, connecting the composition.
Broad brushstrokes shape the cheeks, nose and chin with distinct edges and visible texture. Full lips are painted in red and pink, with dark contours and small pale reflections. Pale blue and turquoise fields along the outer edges of the face provide breathing space around the intense colours, while dark brows and eye shadows emphasise the gaze.
The portrait’s energy lies particularly in the encounters between colours and the strong shifts of light and dark. The eyes provide a quiet focal point, while the rest of the face alternates between recognisable shapes and freely painted fields. The square 100 × 100 cm format and close cropping create direct contact between the figure and the viewer.
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