Luminous blue eyes and deep red lips stand out in “Paloma” by Mia Färm. The face fills almost the entire canvas, shaped through cool blue-grey, black and creamy white fields. Dark contours around the eyes and brows emphasise the gaze, while pale passages along the bridge of the nose and cheeks give the face depth.
Dense, irregular textures and broken impressions of colour characterise the surface. Pale beige and delicate pink accents soften the cool palette, particularly on the cheeks and around the mouth. Red and pink tones in the lips provide a striking counterpoint to the restrained surroundings. A blue-grey background along the jaw underlines the rounded facial contour.
The direct gaze establishes contact, while the many surface marks invite closer attention to the painting’s construction. Clearly rendered features alternate with more diffuse areas where colour and texture take over. The square 100 × 100 cm format and close cropping give “Paloma” a concentrated, immediate presence.
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- Originalt akrylmaleri på lærred af Mia Färm .
- Malet på de 30 mm dybe kanter og ser perfekt ud uden ramme.
- Signeret af kunstneren.
- Lakeret.
- Med beslag på bagsiden, klar til at blive hængt op på din væg.
- Har du spørgsmål vedrørende dette kunstværk, bedes du kontakte os.
Luminous blue eyes and deep red lips stand out in “Paloma” by Mia Färm. The face fills almost the entire canvas, shaped through cool blue-grey, black and creamy white fields. Dark contours around the eyes and brows emphasise the gaze, while pale passages along the bridge of the nose and cheeks give the face depth.
Dense, irregular textures and broken impressions of colour characterise the surface. Pale beige and delicate pink accents soften the cool palette, particularly on the cheeks and around the mouth. Red and pink tones in the lips provide a striking counterpoint to the restrained surroundings. A blue-grey background along the jaw underlines the rounded facial contour.
The direct gaze establishes contact, while the many surface marks invite closer attention to the painting’s construction. Clearly rendered features alternate with more diffuse areas where colour and texture take over. The square 100 × 100 cm format and close cropping give “Paloma” a concentrated, immediate presence.
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