Vivid blue eyes meet the viewer in “Milano” by Mia Färm. The face fills almost the entire canvas, emerging through fields of white, grey, beige and near-black. Dark shadows frame the eyes and the left side of the face, while lighter strokes highlight the bridge of the nose, cheeks and chin.
Gold leaf brings warmth and lustre to selected passages, particularly along the cheek on the right. Small turquoise, violet and pink accents interrupt the restrained palette, and a vivid pink paint drip traces a vertical line beneath the eye on the right. Long black and white marks cross the portrait in loops and diagonals, providing a counterpoint to the broad, textured brushstrokes.
The direct gaze offers a steady focal point among the many layers of colour and marks. The portrait balances recognisable features with a free, abstract treatment of the surface, where light and dark fields both shape and dissolve the face. The square 100 × 100 cm format and close cropping reinforce the figure’s striking presence.
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Milano (100x100cm)
Normalpris 9.800 kr.
Unique piece
Original painting
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14-day return policy
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- Originalt akrylmaleri på lærred af Mia Färm .
- Bladguld er også fordelt.
- Malet i kanterne og ser perfekt ud uden ramme.
- Signeret af kunstneren.
- Lakeret.
- Med beslag på bagsiden, klar til at blive hængt op på din væg.
- Har du spørgsmål vedrørende dette kunstværk, bedes du kontakte os.
... Hvis du har brug for flere billeder, bedes du kontakte os.
Vivid blue eyes meet the viewer in “Milano” by Mia Färm. The face fills almost the entire canvas, emerging through fields of white, grey, beige and near-black. Dark shadows frame the eyes and the left side of the face, while lighter strokes highlight the bridge of the nose, cheeks and chin.
Gold leaf brings warmth and lustre to selected passages, particularly along the cheek on the right. Small turquoise, violet and pink accents interrupt the restrained palette, and a vivid pink paint drip traces a vertical line beneath the eye on the right. Long black and white marks cross the portrait in loops and diagonals, providing a counterpoint to the broad, textured brushstrokes.
The direct gaze offers a steady focal point among the many layers of colour and marks. The portrait balances recognisable features with a free, abstract treatment of the surface, where light and dark fields both shape and dissolve the face. The square 100 × 100 cm format and close cropping reinforce the figure’s striking presence.
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