Vivid pink lips provide a striking focal point in “Emilia” by Mia Färm. Seen frontally, the face fills almost the entire canvas, shaped through fields of grey, white, beige and near-black. Pale grey-green eyes meet the viewer, while deep turquoise and petrol blue along the left side offer a cool counterpoint to the warmer facial tones.
Broad strokes and broken areas of colour form the cheeks, nose and chin. Small coral-red, yellow and copper-coloured accents interrupt the restrained palette. Thin black, white and golden lines cross the portrait in long, freely applied movements, while vertical trails of paint run through several light and dark passages.
The direct gaze brings calm among the many marks and shifts of colour. Clearly shaped eyes and lips meet a freer treatment of the remaining facial areas, where the paint’s texture stays visible. The square 100 × 100 cm format and close cropping create an intimate connection between the figure and the viewer.
We'll photoshop the painting onto your wall and send you a picture the same day — free and with no obligation.
- Originalt akrylmaleri på lærred af Mia Färm .
- Malet i kanterne og ser perfekt ud uden ramme.
- Signeret af kunstneren.
- Lakeret.
- Med beslag på bagsiden, klar til at blive hængt op på din væg.
- Har du spørgsmål vedrørende dette kunstværk, bedes du kontakte os.
... Hvis du har brug for flere billeder, bedes du kontakte os.
Vivid pink lips provide a striking focal point in “Emilia” by Mia Färm. Seen frontally, the face fills almost the entire canvas, shaped through fields of grey, white, beige and near-black. Pale grey-green eyes meet the viewer, while deep turquoise and petrol blue along the left side offer a cool counterpoint to the warmer facial tones.
Broad strokes and broken areas of colour form the cheeks, nose and chin. Small coral-red, yellow and copper-coloured accents interrupt the restrained palette. Thin black, white and golden lines cross the portrait in long, freely applied movements, while vertical trails of paint run through several light and dark passages.
The direct gaze brings calm among the many marks and shifts of colour. Clearly shaped eyes and lips meet a freer treatment of the remaining facial areas, where the paint’s texture stays visible. The square 100 × 100 cm format and close cropping create an intimate connection between the figure and the viewer.
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