A fair-haired rider and two stylised horses fill “Amazona” by Mariya Yugina. The horse in front is painted in vivid pink, purple and red, lifting its forelegs in a dramatic movement. A brown horse emerges behind it, while the rider holds a pale rein and turns her face to the right.
Large turquoise and blue-green shapes spread like fans through the lower part of the painting. They contrast with the golden-yellow background and warm orange and pink tones. Long, pale diagonals, chequered areas and a wave pattern in the upper left introduce rhythm among the bodies and angular forms.
Shifted proportions and geometric fields of colour give the scene a Cubist character. The title and the interplay between rider and horses may evoke strength, freedom and movement, without defining a particular story. The wide 100 × 73 cm format emphasises the horses’ extended forms and the composition’s energetic diagonals.
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Amazona (100x73cm)
Normalpris 17.900 kr.
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Original painting
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- Originalt oliemaleri på lærred af Mariya Yugina.
- Signeret af kunstneren.
- Med beslag på bagsiden, klar til at blive hængt op på din væg.
- Har du spørgsmål vedrørende dette kunstværk, bedes du kontakte os.
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A fair-haired rider and two stylised horses fill “Amazona” by Mariya Yugina. The horse in front is painted in vivid pink, purple and red, lifting its forelegs in a dramatic movement. A brown horse emerges behind it, while the rider holds a pale rein and turns her face to the right.
Large turquoise and blue-green shapes spread like fans through the lower part of the painting. They contrast with the golden-yellow background and warm orange and pink tones. Long, pale diagonals, chequered areas and a wave pattern in the upper left introduce rhythm among the bodies and angular forms.
Shifted proportions and geometric fields of colour give the scene a Cubist character. The title and the interplay between rider and horses may evoke strength, freedom and movement, without defining a particular story. The wide 100 × 73 cm format emphasises the horses’ extended forms and the composition’s energetic diagonals.
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