Deep green and blue tones spread beneath a pale, misty expanse in “Untitled” by Rie Brødsgaard. The upper section shifts between white, delicate mint and light grey, while darker colours gather in broad horizontal passages below. Fresh yellow-green accents brighten the centre, introducing variety among the more muted tones.
A pale, branching network of lines extends across the lower half. White and blue-grey marks form curves and angular shapes, meeting in some places and dissolving into the colour fields elsewhere. Visible brushstrokes, broken transitions and occasional warm reddish-brown accents add detail to the predominantly cool palette.
The subject may suggest a green landscape beside water, with branches or roots outlined against dark reflections. Yet it remains abstract and open, and the pale marks can also be experienced as movement across the surface. The wide 140 × 100 cm format supports the horizontal passages and the contrast between the airy upper section and the dense colours below.
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- Original acrylic painting on canvas by Rie Brødsgaard.
- Painted white on the edges, and looks perfect without frame.
- Signed by the artist.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
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Deep green and blue tones spread beneath a pale, misty expanse in “Untitled” by Rie Brødsgaard. The upper section shifts between white, delicate mint and light grey, while darker colours gather in broad horizontal passages below. Fresh yellow-green accents brighten the centre, introducing variety among the more muted tones.
A pale, branching network of lines extends across the lower half. White and blue-grey marks form curves and angular shapes, meeting in some places and dissolving into the colour fields elsewhere. Visible brushstrokes, broken transitions and occasional warm reddish-brown accents add detail to the predominantly cool palette.
The subject may suggest a green landscape beside water, with branches or roots outlined against dark reflections. Yet it remains abstract and open, and the pale marks can also be experienced as movement across the surface. The wide 140 × 100 cm format supports the horizontal passages and the contrast between the airy upper section and the dense colours below.
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