A pale female face turns towards the viewer in “Untitled” by Rie Brødsgaard. The head is angled slightly to the left and framed by a large, dark head covering with curved strokes of brown, ochre and grey. Its near-black shape contrasts strongly with the delicate grey-white face and pale background.
Fine lines describe the eyes, brows, nose and mouth, while broken traces of colour give the face a light, uneven surface. Long strokes of yellow, cream, grey and warm brown descend from the neck over the upper body. Occasional reddish contours and slender paint drips interrupt the soft forms, and small branching patterns emerge along the right side.
The direct gaze establishes contact, while the figure’s turned pose suggests a moment caught in passing. Without a descriptive title, the person’s story and mood remain open to interpretation. The vertical 90 × 120 cm format emphasises the contrast between the compact head covering and the clothing’s pale, downward movements.
We'll photoshop the painting onto your wall and send you a picture the same day — free and with no obligation.
Untitled (90x120cm)
Regular price 9.000 kr.
Unique piece
Original painting
Free delivery
Fast to your door
14-day return policy
Full satisfaction
- Original acrylic painting on canvas by Rie Brødsgaard.
- Painted white on the edges, and looks perfect without frame.
- Signed by the artist.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
A pale female face turns towards the viewer in “Untitled” by Rie Brødsgaard. The head is angled slightly to the left and framed by a large, dark head covering with curved strokes of brown, ochre and grey. Its near-black shape contrasts strongly with the delicate grey-white face and pale background.
Fine lines describe the eyes, brows, nose and mouth, while broken traces of colour give the face a light, uneven surface. Long strokes of yellow, cream, grey and warm brown descend from the neck over the upper body. Occasional reddish contours and slender paint drips interrupt the soft forms, and small branching patterns emerge along the right side.
The direct gaze establishes contact, while the figure’s turned pose suggests a moment caught in passing. Without a descriptive title, the person’s story and mood remain open to interpretation. The vertical 90 × 120 cm format emphasises the contrast between the compact head covering and the clothing’s pale, downward movements.
Also appears in
