A blonde woman with closed eyes is surrounded by deep green fabric forms and white flowers in “Getting ready for the day” by Isabel Savannah. Her profile appears in the upper right, where a white bloom partly conceals the lower portion of her face. On the left, a hand holds a small bouquet with dark leaves, while a large leaf with pale veins rises near the centre.
The green garment fills most of the canvas with broad folds and rounded shapes. Dark vines curl in loops across the fabric, connecting scattered leaf motifs. Golden hair falls in fine, pale strokes over the shoulder, joining the flowers in contrasting with the rich greens and light background.
The title may suggest a quiet moment before the day begins. The figure’s closed eyes and proximity to the flowers give the scene a sensory quality while leaving its meaning open. Isabel Savannah describes “Perfect Imperfections” as central to her artistic practice, highlighting her interest in small irregularities, emotional traces and unpolished details. The square 60 × 60 cm format brings figure, fabric and plants together in a close, enveloping composition.
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- Original acrylic painting on canvas by Isabel Savannah.
- Painted on the edges and looks perfect without frame.
- "Temaet Perfect Imperfections er centralt i mit kunstneriske univers. Jeg drages af de små ujævnheder, følelsesmæssige spor og upolerede detaljer, som får livet og mennesker til at føles levende og autentiske." Isabel Savannah
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
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A blonde woman with closed eyes is surrounded by deep green fabric forms and white flowers in “Getting ready for the day” by Isabel Savannah. Her profile appears in the upper right, where a white bloom partly conceals the lower portion of her face. On the left, a hand holds a small bouquet with dark leaves, while a large leaf with pale veins rises near the centre.
The green garment fills most of the canvas with broad folds and rounded shapes. Dark vines curl in loops across the fabric, connecting scattered leaf motifs. Golden hair falls in fine, pale strokes over the shoulder, joining the flowers in contrasting with the rich greens and light background.
The title may suggest a quiet moment before the day begins. The figure’s closed eyes and proximity to the flowers give the scene a sensory quality while leaving its meaning open. Isabel Savannah describes “Perfect Imperfections” as central to her artistic practice, highlighting her interest in small irregularities, emotional traces and unpolished details. The square 60 × 60 cm format brings figure, fabric and plants together in a close, enveloping composition.
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