A large, fragmented face fills “The storm within” by Lone Stampe. Cobalt-blue and dark blue-green fields meet charcoal grey, brown and warm coral-red tones. Two offset eye shapes and an open, mouth-like form below give the portrait an intense expression, while pink and small yellow accents interrupt the darker areas.
Broad, directional brushstrokes draw the facial forms into long diagonal and curved passages. A dark area frames the left side and continues towards the lower edge, while blue, grey and brown layers gather around the centre. In the upper right, another face-like shape emerges between coral-red fields and dark contours.
The title may invite the viewer to experience the shifting features and tension between colours as an image of inner unrest. Yet the subject remains open between portraiture and abstraction, allowing its expression to change as the eye follows the forms. The vertical 60 × 80 cm format emphasises the face’s elongated movement and immediate presence.
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- Original acrylic painting on canvas by Lone Stampe.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
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A large, fragmented face fills “The storm within” by Lone Stampe. Cobalt-blue and dark blue-green fields meet charcoal grey, brown and warm coral-red tones. Two offset eye shapes and an open, mouth-like form below give the portrait an intense expression, while pink and small yellow accents interrupt the darker areas.
Broad, directional brushstrokes draw the facial forms into long diagonal and curved passages. A dark area frames the left side and continues towards the lower edge, while blue, grey and brown layers gather around the centre. In the upper right, another face-like shape emerges between coral-red fields and dark contours.
The title may invite the viewer to experience the shifting features and tension between colours as an image of inner unrest. Yet the subject remains open between portraiture and abstraction, allowing its expression to change as the eye follows the forms. The vertical 60 × 80 cm format emphasises the face’s elongated movement and immediate presence.
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