A large, creamy white form spreads through the centre of “I am on my way” by Lone Stampe. Around it, warm ochre, brown, pink and muted blue tones meet against a deep, dark background. Thin black and blue-grey contours separate the irregular fields, lending them a figure-like character.
In the upper left, an ochre form edged in blue rises into a pointed curve, while smaller pink and brown shapes gather on the right. Broad brushstrokes and fine drawn marks bring variety to the larger planes. Below, blue, white and golden fields interrupt the composition, offset between the dark openings.
The title may lend the overlapping shapes a sense of movement and direction, while the subject remains open between abstraction and suggestions of figures. The large pale centre draws the eye, and the contours lead onwards through the smaller details. The wide 90 × 70 cm format emphasises the interplay between the closely arranged forms and the dark background.
We'll photoshop the painting onto your wall and send you a picture the same day — free and with no obligation.
I am on my way (90x70cm)
Regular price 6.000 kr.
Unique piece
Original painting
Free delivery
Fast to your door
14-day return policy
Full satisfaction
- Original acrylic painting on canvas by Lone Stampe.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
A large, creamy white form spreads through the centre of “I am on my way” by Lone Stampe. Around it, warm ochre, brown, pink and muted blue tones meet against a deep, dark background. Thin black and blue-grey contours separate the irregular fields, lending them a figure-like character.
In the upper left, an ochre form edged in blue rises into a pointed curve, while smaller pink and brown shapes gather on the right. Broad brushstrokes and fine drawn marks bring variety to the larger planes. Below, blue, white and golden fields interrupt the composition, offset between the dark openings.
The title may lend the overlapping shapes a sense of movement and direction, while the subject remains open between abstraction and suggestions of figures. The large pale centre draws the eye, and the contours lead onwards through the smaller details. The wide 90 × 70 cm format emphasises the interplay between the closely arranged forms and the dark background.
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