Large, dark green leaves spread in front of a female figure in “My sister's plant” by Isabel Savannah. Her face, with closed eyes and smooth dark hair, emerges between generous cream-coloured forms. One arm curves above her head, and a small sprig of white flowers hangs from her hand.
The figure’s pale garment fills almost the entire canvas with soft, rounded volumes. Fine greyish contours and subtle shading distinguish the shapes from the almost white background. The plant’s rich green leaves contrast sharply with the light colours, while delicate pink and grey-violet tones make the face a more intimate focal point.
The title introduces a personal reference while leaving the relationship between the woman and the plant open to interpretation. Her closed eyes and the enveloping composition may suggest a quiet, inward-looking moment. Isabel Savannah describes “Perfect Imperfections” as central to her artistic practice, highlighting her interest in small irregularities, emotional traces and unpolished details. The square 60 × 60 cm format brings the figure’s curved shapes and the plant’s leaves together in a closely composed arrangement.
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My sister's plant (60x60cm)
Regular price 5.800 kr.
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Original painting
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- Original acrylic painting on canvas by Isabel Savannah.
- Painted on the edges and looks perfect without frame.
- "Temaet Perfect Imperfections er centralt i mit kunstneriske univers. Jeg drages af de små ujævnheder, følelsesmæssige spor og upolerede detaljer, som får livet og mennesker til at føles levende og autentiske." Isabel Savannah
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Large, dark green leaves spread in front of a female figure in “My sister's plant” by Isabel Savannah. Her face, with closed eyes and smooth dark hair, emerges between generous cream-coloured forms. One arm curves above her head, and a small sprig of white flowers hangs from her hand.
The figure’s pale garment fills almost the entire canvas with soft, rounded volumes. Fine greyish contours and subtle shading distinguish the shapes from the almost white background. The plant’s rich green leaves contrast sharply with the light colours, while delicate pink and grey-violet tones make the face a more intimate focal point.
The title introduces a personal reference while leaving the relationship between the woman and the plant open to interpretation. Her closed eyes and the enveloping composition may suggest a quiet, inward-looking moment. Isabel Savannah describes “Perfect Imperfections” as central to her artistic practice, highlighting her interest in small irregularities, emotional traces and unpolished details. The square 60 × 60 cm format brings the figure’s curved shapes and the plant’s leaves together in a closely composed arrangement.
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