Twenty circular forms are arranged in four columns and five rows in “Time to Time” by Dorte Juul. Each circle has its own interplay of blue, green, white and golden tones, surrounded by fields of turquoise, pink, lavender and peach. The regular arrangement gives the painting structure, while uneven contours and broken layers of colour introduce variety.
Black arcs and fine lines frame some of the shapes, while others almost dissolve into the background. Several circles contain diagonal or angled marks that may suggest clock hands. Broad strokes, pale overpainting and traces of underlying colours give each section a distinct character while connecting the surface as a whole.
The title and repeated circles may evoke clock faces and the different rhythms of time. Rather than indicating a precise hour, the painting explores an interplay of repetition and change. The vertical 100 × 120 cm format allows the eye to move from one field to another, discovering connections between colours and forms.
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- Original acrylic painting on canvas by Dorte Juul.
- Painted on the edges, and looks perfect without frame.
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
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Twenty circular forms are arranged in four columns and five rows in “Time to Time” by Dorte Juul. Each circle has its own interplay of blue, green, white and golden tones, surrounded by fields of turquoise, pink, lavender and peach. The regular arrangement gives the painting structure, while uneven contours and broken layers of colour introduce variety.
Black arcs and fine lines frame some of the shapes, while others almost dissolve into the background. Several circles contain diagonal or angled marks that may suggest clock hands. Broad strokes, pale overpainting and traces of underlying colours give each section a distinct character while connecting the surface as a whole.
The title and repeated circles may evoke clock faces and the different rhythms of time. Rather than indicating a precise hour, the painting explores an interplay of repetition and change. The vertical 100 × 120 cm format allows the eye to move from one field to another, discovering connections between colours and forms.
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