Deep blue fields meet pale turquoise, mint-green and white areas in “Blue time” by Rie Brødsgaard. A large dark blue form extends from the left towards the centre, while a brownish passage outlined with fine rust-coloured marks provides a warm counterpoint on the right. Dense, dark areas alternate with open, luminous spaces.
Irregular black lines travel through the composition, forming loose, angular outlines. Some follow the colour fields, while others cross them. Fine web-like patterns, slender pale marks and visible brushstrokes offer details that emerge on closer inspection. Near the top, a small rust-coloured outline forms an open shape against the pale blue ground.
The painting is abstract, leaving the relationships between its forms open to interpretation. Dark contours might suggest fragments of maps or organic boundaries, while the blues may evoke water and depth. The square 80 × 80 cm format brings the offset shapes together in an interplay of weight, lightness and movement.
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Blue time (80x80cm)
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- Original acrylic painting on canvas by Rie Brødsgaard.
- Painted white on the edges, and looks perfect without frame.
- Signed by the artist.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Deep blue fields meet pale turquoise, mint-green and white areas in “Blue time” by Rie Brødsgaard. A large dark blue form extends from the left towards the centre, while a brownish passage outlined with fine rust-coloured marks provides a warm counterpoint on the right. Dense, dark areas alternate with open, luminous spaces.
Irregular black lines travel through the composition, forming loose, angular outlines. Some follow the colour fields, while others cross them. Fine web-like patterns, slender pale marks and visible brushstrokes offer details that emerge on closer inspection. Near the top, a small rust-coloured outline forms an open shape against the pale blue ground.
The painting is abstract, leaving the relationships between its forms open to interpretation. Dark contours might suggest fragments of maps or organic boundaries, while the blues may evoke water and depth. The square 80 × 80 cm format brings the offset shapes together in an interplay of weight, lightness and movement.
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