Soft green, pale blue and creamy white tones meet peach and golden-yellow accents in “Untitled” by Sanne Bruhn. Deep, almost black fields and dark brown strokes create contrast between the lighter forms. The composition extends in a dense horizontal arrangement, with open, pale areas along the upper and lower edges of the canvas.
Broad, sweeping brushstrokes form folded, organic shapes that overlap one another. Fine grey and dark lines move across the layers of colour in large arcs, loops and smaller intersections. Several extend into the pale margins, offering a delicate counterpoint to the more densely painted areas.
The green forms and glimpses of warm colour may evoke foliage, flowers or a lush garden, while the subject remains abstract. The wide 150 × 90 cm format invites the eye to follow the lines from side to side and discover shifts between dark passages and light openings. Without a descriptive title, the work leaves room for personal interpretations.
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Untitled (150x90cm)
Normaler Preis 11.000 kr.
Unique piece
Original painting
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- Original acrylic painting on canvas by Sanne Bruhn.
- Painted on the edges, and looks perfect without frame.
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Soft green, pale blue and creamy white tones meet peach and golden-yellow accents in “Untitled” by Sanne Bruhn. Deep, almost black fields and dark brown strokes create contrast between the lighter forms. The composition extends in a dense horizontal arrangement, with open, pale areas along the upper and lower edges of the canvas.
Broad, sweeping brushstrokes form folded, organic shapes that overlap one another. Fine grey and dark lines move across the layers of colour in large arcs, loops and smaller intersections. Several extend into the pale margins, offering a delicate counterpoint to the more densely painted areas.
The green forms and glimpses of warm colour may evoke foliage, flowers or a lush garden, while the subject remains abstract. The wide 150 × 90 cm format invites the eye to follow the lines from side to side and discover shifts between dark passages and light openings. Without a descriptive title, the work leaves room for personal interpretations.
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