Vivid red and deep wine-red fields meet pale blue, sandy yellow and cream tones in “22-26” by Karl Hedeager Madsen. Dark grey and almost black areas add weight around parts of the edge, while small turquoise and orange accents sharpen the contrasts. A broad, pale gesture descends diagonally through the upper centre, opening the painting between the stronger colours.
The brushstrokes are broad and directional, with irregular edges that allow the colours to intersect. A striking red passage crosses the centre and extends in long strokes towards the lower edge. On the left, a turquoise and navy gesture breaks through the lighter fields, introducing another direction into the composition.
The subject remains abstract, placing the tension between colours at the centre of the work. Pale blue and cream openings offer pauses between the dense red and dark areas. The square 100 × 100 cm format brings diagonal, horizontal and vertical movements together in a composition with both strength and variety. The numbered title leaves interpretation open.
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22-26 (100x100cm)
Normaler Preis 3.800 kr.
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Original painting
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- Original acrylic painting on canvas by Karl Hedeager Madsen.
- Painted on the edges, and looks perfect without frame.
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Vivid red and deep wine-red fields meet pale blue, sandy yellow and cream tones in “22-26” by Karl Hedeager Madsen. Dark grey and almost black areas add weight around parts of the edge, while small turquoise and orange accents sharpen the contrasts. A broad, pale gesture descends diagonally through the upper centre, opening the painting between the stronger colours.
The brushstrokes are broad and directional, with irregular edges that allow the colours to intersect. A striking red passage crosses the centre and extends in long strokes towards the lower edge. On the left, a turquoise and navy gesture breaks through the lighter fields, introducing another direction into the composition.
The subject remains abstract, placing the tension between colours at the centre of the work. Pale blue and cream openings offer pauses between the dense red and dark areas. The square 100 × 100 cm format brings diagonal, horizontal and vertical movements together in a composition with both strength and variety. The numbered title leaves interpretation open.
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