Vivid red and deep burgundy fields meet delicate pink, white and warm yellow in “17-26” by Karl Hedeager Madsen. A broad, pale gesture moves diagonally through the left centre, while a dark blue-grey passage rises from the lower part towards the upper edge. Cool pale blue areas in the lower corners provide a counterpoint to the warm colours.
The composition is built from broad, predominantly vertical and diagonal brushstrokes. The red forms have broken edges and elongated marks that reach into the pink and pale fields. Yellow clusters near the centre and upper right bring light between the darker passages. Visible brushmarks give the large colour fields direction and texture.
The subject remains abstract, though the tall, closely arranged forms may evoke figures or openings between larger structures. Pale strokes offer pauses within the intense interplay of colour. The square 100 × 100 cm format emphasises the tension between upward movements and broad colour fields, while the numbered title leaves interpretation open.
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17-26 (100x100cm)
Normaler Preis 3.800 kr.
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Original painting
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- Original acrylic painting on canvas by Karl Hedeager Madsen.
- Painted on the edges, and looks perfect without frame.
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Vivid red and deep burgundy fields meet delicate pink, white and warm yellow in “17-26” by Karl Hedeager Madsen. A broad, pale gesture moves diagonally through the left centre, while a dark blue-grey passage rises from the lower part towards the upper edge. Cool pale blue areas in the lower corners provide a counterpoint to the warm colours.
The composition is built from broad, predominantly vertical and diagonal brushstrokes. The red forms have broken edges and elongated marks that reach into the pink and pale fields. Yellow clusters near the centre and upper right bring light between the darker passages. Visible brushmarks give the large colour fields direction and texture.
The subject remains abstract, though the tall, closely arranged forms may evoke figures or openings between larger structures. Pale strokes offer pauses within the intense interplay of colour. The square 100 × 100 cm format emphasises the tension between upward movements and broad colour fields, while the numbered title leaves interpretation open.
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