Dusty pink, mauve and grey-violet tones meet bold red and deep wine-red fields in “21-26” by Karl Hedeager Madsen. A large creamy white area brightens the upper part just right of centre, while pale blue and white strokes form a broad, angled movement through the lower half. Dark blue-grey passages create contrast around the edges and between the lighter layers.
Broad brushstrokes intersect in diagonal and vertical passages. Pink and violet fields gather around the centre, where broken edges and visible brushmarks allow underlying colours to emerge. The pale strokes create an open, almost V-shaped passage connecting the left side, lower centre and right edge.
The subject remains abstract, placing the movement of colour at the heart of the work. Cool, pale areas provide a counterpoint to the warm red fields, while darker passages add depth. The square 100 × 100 cm format offers space for both large planes of colour and smaller shifts in the surface. The numbered title leaves interpretation open.
We'll photoshop the painting onto your wall and send you a picture the same day — free and with no obligation.
21-26 (100x100cm)
Normaler Preis 3.800 kr.
Unique piece
Original painting
Free delivery
Fast to your door
14-day return policy
Full satisfaction
- Original acrylic painting on canvas by Karl Hedeager Madsen.
- Painted on the edges, and looks perfect without frame.
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Dusty pink, mauve and grey-violet tones meet bold red and deep wine-red fields in “21-26” by Karl Hedeager Madsen. A large creamy white area brightens the upper part just right of centre, while pale blue and white strokes form a broad, angled movement through the lower half. Dark blue-grey passages create contrast around the edges and between the lighter layers.
Broad brushstrokes intersect in diagonal and vertical passages. Pink and violet fields gather around the centre, where broken edges and visible brushmarks allow underlying colours to emerge. The pale strokes create an open, almost V-shaped passage connecting the left side, lower centre and right edge.
The subject remains abstract, placing the movement of colour at the heart of the work. Cool, pale areas provide a counterpoint to the warm red fields, while darker passages add depth. The square 100 × 100 cm format offers space for both large planes of colour and smaller shifts in the surface. The numbered title leaves interpretation open.
Also appears in
