Rust-red and orange fields meet pale blue, ochre-yellow and grey-beige tones in “26-26” by Karl Hedeager Madsen. A large white area opens the composition just left of centre, while a striking reddish-brown form rises through the right half. Deep navy passages along the lower edge provide a counterweight to the lighter colours.
Broad brushstrokes build the painting in angular, overlapping fields. Pale blue gestures cross the warm earth tones, while long, narrow strokes draw several of the shapes downwards. Irregular edges and visible brushmarks allow the colours to intersect without losing their distinct identities.
The upright forms may evoke figures or fragments of a landscape, while the subject remains abstract. The numbered title leaves interpretation open, placing the encounter between colour, shape and direction at the centre of the work. The square 80 × 80 cm format brings the vertical passages and crossing strokes together in a balance of weight and movement.
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- Original acrylic painting on canvas by Karl Hedeager Madsen.
- Painted on the edges, and looks perfect without frame.
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Rust-red and orange fields meet pale blue, ochre-yellow and grey-beige tones in “26-26” by Karl Hedeager Madsen. A large white area opens the composition just left of centre, while a striking reddish-brown form rises through the right half. Deep navy passages along the lower edge provide a counterweight to the lighter colours.
Broad brushstrokes build the painting in angular, overlapping fields. Pale blue gestures cross the warm earth tones, while long, narrow strokes draw several of the shapes downwards. Irregular edges and visible brushmarks allow the colours to intersect without losing their distinct identities.
The upright forms may evoke figures or fragments of a landscape, while the subject remains abstract. The numbered title leaves interpretation open, placing the encounter between colour, shape and direction at the centre of the work. The square 80 × 80 cm format brings the vertical passages and crossing strokes together in a balance of weight and movement.
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