Bold red and deep burgundy strokes spread through “24-26” by Karl Hedeager Madsen. Creamy white and pale blue fields open between the warm colours, while petrol blue and dark navy areas add weight along the sides and lower edge. Small orange and sandy accents introduce further contrast.
Broad brushstrokes move in arcs, diagonals and long vertical passages. The red layers connect the upper and lower parts of the composition, while the pale fields appear as irregular openings with broken edges. Visible brushmarks and overlapping colours bring variety to the surface without obscuring the larger shapes.
The subject remains abstract, placing the encounter between colour, direction and contrast at the centre of the work. White areas may suggest glimpses of light between the dense red gestures, while blue fields offer cooler counterpoints. The vertical 90 × 120 cm format emphasises the composition’s upward and downward movements, and the numbered title leaves interpretation open.
We'll photoshop the painting onto your wall and send you a picture the same day — free and with no obligation.
24-26 (90x120cm)
Normaler Preis 4.800 kr.
Unique piece
Original painting
Free delivery
Fast to your door
14-day return policy
Full satisfaction
- Original acrylic painting on canvas by Karl Hedeager Madsen.
- Painted on the edges, and looks perfect without frame.
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Bold red and deep burgundy strokes spread through “24-26” by Karl Hedeager Madsen. Creamy white and pale blue fields open between the warm colours, while petrol blue and dark navy areas add weight along the sides and lower edge. Small orange and sandy accents introduce further contrast.
Broad brushstrokes move in arcs, diagonals and long vertical passages. The red layers connect the upper and lower parts of the composition, while the pale fields appear as irregular openings with broken edges. Visible brushmarks and overlapping colours bring variety to the surface without obscuring the larger shapes.
The subject remains abstract, placing the encounter between colour, direction and contrast at the centre of the work. White areas may suggest glimpses of light between the dense red gestures, while blue fields offer cooler counterpoints. The vertical 90 × 120 cm format emphasises the composition’s upward and downward movements, and the numbered title leaves interpretation open.
Also appears in
